Hear ye! Hear ye!
“TILDEN” – my 7 song collection is officially released.
Oceans, fire, cello, baroque pop, NYC, my indie-rock roots – a totally new mashup.
“a slice of nautical punk poetry set to cello and performed for a drunken Marie Antoinette birthday party”
Listen here: http://mattloganmusic.bandcamp.com/album/tilden
This one’s dedicated to Ryan Messmore
Cover art by Emily Linstrom
A rather dark short story I wrote not terribly long ago. A vague tale of a crush. set in a year of war, 1697.
*** So long this life of fashioned woe, so short in expectation and florid splendor. The tide pulls in long, and flatly swallows the barren dunes.
Never thought to stand here in stagnant pools of receding brown brine. Never planned to keep so still.
Lost in the Marshland with a slipknot. Forever and a day in a self-exile never quite imposed- Growing salty and misdirected in this frosty morning glaze under a feeble half glared sun. Brittle stalks of long grass poking through fragile films of ice. This endless winter where even the salt freezes. ***
“Children of the Massacre”
Remember in St. Brεnn? Children of the Massacre, the bleeding days. They plucked us from our cribs, and slaughtered our parents, our brothers, sisters, cousins – A generation wiped slate-clean by other people’s malice. And when the devil finally passed on, bored of his reaping, we were alone with our elders of the Curiae, doddering cluelessly under the pathetic yoke of the tired and conquered – Complacent to the ceaseless bloodlet of the permanently scarred.
You went away only days after I’d known you – escaping the House of Burgesses as it burned…. when you awoke from the blind stupor of frenzied fleeing, you were suddenly a child of the Cymbεline Valley – a place fertile, green, musty – Where lives are clocked by agriculture and the season – a land forever obliging – a cornucopia of the kingdom. A land of trysts in the forests and fields. Songs around the hearth. Lust without intrigue – desire purely of the soil and sun. Pura vida.
That day, I burned in the Guildhouse Square, in a ghastly refuse pile with a thousand others – twisted grey limbs, a moaning mountain of agonized wails. Reviled to annihilation for a world we never made, nor ever wanted to make. Our simple flesh and simple dreams sacrificed for the petty grudges of dukes, kings, and warlords. Denied all mercy, we who never even asked for it. The skies turned red and black that morning, the cathedral cloaked in a thick bloody shroud of haze. Heads, arms, legs strewn in the streets and in the trees beyond the walls. I became part of that Putrid Charnel – each footstep sticky with liquefied flesh and mashed entrails.
AD 1697 – their calendar, their time. The fields dripped with disgust.
Only a week before, we first secreted to the intimacy of that alleyway – during the falling of Golden mornings, well-fed days, and heady nights
Incinerated crimson, my bones blackened, my ashes afloat, joined with countless other discarded lives. From high above, in the vomiting haze, we saw for the very last time the city of our upbringing.
You may have seen the pyre cloud above your Cymbεline Valley – wisps of muddy crimson grey crying in the upper sky. And beneath, a bright green fog growing sick with yellow. The blooming of Riotous Spring, first drops of fever – pulsating, demanding incessant devotion. All life violently bursting from the soil, confused, flailing, groping – every cell livid and without control. Chronically unrequited. Incessant impossible longing, no climax ever enough. Vitriol coursing rampant.
And the rains fell. Ashen corpses pouring down in the form of mustardy powder. The survivors stumbling from the slaughter upriver as living cadavers, limbless refugees dragging themselves dazed and heartbroken along the sloppy road. Among them – the merchants who gouged their prices in time of plague and famine – the merchants who were now beaten on the side of the paths, now getting their due; the haughty magistrates from the gilded towers who pinched the pennies over the needy, now getting their due with bludgeons and axes – the nuns and monks raped in their convents and monasteries, and the innocent minions of the slum, all avenged with – starvation and grinding thirst.
My ashes fell upon it all, and saw all. I saw you, that reveler of the night, never far from the spice of taverns and brothels – never meant to sow and reap every day after day, under your uncle’s hard eyes and his foreboding manor. Taken up by the village boys you’d met on weekends at the market – exchanging your body’s thrill for a fish or a bushel of wheat to fill your uncle’s coffers. City girl gone country – you couldn’t last this for long – the endless summer feasts of bounty and uninvited fondling; dalliances and drunken stupors in barns and mud – always with the same boys over and over again.
Though you all ignored it, you knew this futile harvest was the last. By summer, another army will gut all it all to the roots- scouring and ravaging the valley for the millionth time. A nowhere life.
*** This freezing marsh and dull sunlight is forgiving. Into loving indifference, the ragged resign themselves. In summer, when the oystercatchers and plovers cackle insanity, and the fishermen move up the coast – that is the paranoid time, when a lifetime of instinctively cultivated evasion takes hold, and the shadows of reeds and the grey of short nights are the only refuge. Anonymity must be carefully earned. The purgatory of survival ***
I come for you this soggy day – the soil and sky filled with burning red. I follow the hedge-rows of yew bushes that line the winding path up to your uncle’s manor. Soon enough, these berries of death will take their poisonous claim. I slip to your bed while you are entranced by the relief of sleep- your hands no longer those of a city child. Calloused fingers clutch a tarnished pendant the Bishop had presented to you at the last feast of Brεnn. … We can never again be the boy and girl playing at our bodies in the alleys of our beloved town…
Suddenly I know that I don’t know you – we are just two of many shell-shocked victims crushed by the timing of our births, and we are ultimately alone. Still, compulsion drives: I whisper almost silently into your sleeping ear -“The Marshes of Flarange – there I go to frost my charred sack of vapor and ash. Oysters and fish shed no blood, and no man comes to spit desolation. I will wait. Wait for years upon years if I will. But I can promise no forever.”
***If I am found, if I am found out… of what, how, who, and why, I have long forgotten. I ply my days in zen-like constancy, by raft amongst the reeds, or on the cliffs in a thousand different self-built shelters, carved-out caves in the bluffs, each furnished and designed for every mood, season, day, weather, etc. Luxurious hermitude, extravagant asceticism. Peace = boredom = decadence. But the hole is already dug, the legs have already sunk so far. Decay is the only prognosis. We preciously orchestrate it, like the manor nobles and mystical priests would do when they came to St. Brenn on Tournament Days, in their flippant finery, florid speech, arrogance, custom, prejudice, airs, violence, scorn, and revulsion. Laying carefully placed stepping-stones to mark their fresh-faced cakewalk to the grave. But all this is nothing new – same old scenes with different costumes. ***
And here, for her I wait. But not forever.
The sky was falling that day – yet sparse little groups were coming for the refuge of the Atlantic.
on the other side of the city, perched on granite
millions make their daily marks
More photos here: www.flickr.com/photos/mattron
I took this photo some time ago along with others documenting the crumbling World’s Fair Grounds of Flushing Meadows-Corona Park.
It was featured on Friday’s Gothamist. $43 million is needed to restore the facilities and save them from destruction.
More of my pictures of the place are here: https://ventilateblog.wordpress.com/tag/worlds-fair-grounds/
The following color pictures were taken with a Diana; the black and white ones with a Soviet Zorki-4
A century ago, guardian of the Atlantic approach to NY Harbor. Artillery with a range of 25-miles pointed seaward waiting for the German ships that never came – save perhaps for a handful of shadowy U-boats, seen and unseen.
A patch of sandy desolation on the fragile narrow spit of the Rockaway Peninsula, which barely rises between ocean and the Jamaica Bay. In the distance, a proud Manhattan skyline – a mirage of a completely different world – hazy and not quite existent.
Wars of the sea gave way to wars of the air. The big guns were traded in for the Nikes, missiles designed to knock high-altitude Soviet bombers out of the Metropolitan sky.
And then, a few decades ago – total obsolescence, abandonment, and decay. Gutted shells, overgrown and sinking into the sand, which in turn, minute by minute, sinks into the waves. It’s lately been a playground of the fringes – artists, photographers, graffiti, and seekers of ramshackle ephemera.
The hurricane pummelled the city, and the peninsula took a huge punch, a slap in the face of human futility. For that night, the peninsula did not exist, but became ocean and bay – Neighborhoods near the isolated base washed away and burned. Sand piled high like snow drifts that never melt, overturned cars, buried homes and memories.
Pieces of Tilden dissolved into the waves. But what is already ruined is hard to ruin again. At this former fort, a few solid walls are down, the sand mounts high, and a faint, musty, low-tide smell still faintly emits from the ground below. But the gun battery embedded in the bluffs still stares blankly into the sea, awaiting 100-year-old dreadnoughts and battleships that will never appear. Since the Storm, it’s become barricaded, forbidden, heavily patrolled by the authorities – a no man’s land – A silent sentinel upon the wild dunes of a wild beach on the barren coastal fringes of the City.